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Cristofano Allori Portrait of Francesco and Caterina Medici oil painting


Portrait of Francesco and Caterina Medici
Painting ID::  76414
Cristofano Allori
Portrait of Francesco and Caterina Medici
ca. 1598(1598) cjr

   
   
     

Cristofano Allori Portrait of Cristina di Lorena oil painting


Portrait of Cristina di Lorena
Painting ID::  77981
Cristofano Allori
Portrait of Cristina di Lorena
Date 17th century Medium Oil on canvas Dimensions 218 x 140 cm (85.8 x 55.1 in) cyf

   
   
     

Cristofano Allori Portrait of Francesco oil painting


Portrait of Francesco
Painting ID::  78264
Cristofano Allori
Portrait of Francesco
ca. 1598(1598) Medium Oil cyf

   
   
     

Cristofano Allori Judith with the Head of Holofernes oil painting


Judith with the Head of Holofernes
Painting ID::  78816
Cristofano Allori
Judith with the Head of Holofernes
ca. 1620(1620) Medium Oil on canvas cyf

   
   
     

Cristofano Allori Judith with the Head of Holofernes oil painting


Judith with the Head of Holofernes
Painting ID::  79476
Cristofano Allori
Judith with the Head of Holofernes
1620(1620) Medium Oil on canvas Dimensions Width: 116 cm (45.7 in). Height: 139 cm (54.7 in). cyf

   
   
     

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     Cristofano Allori
     Italian Baroque Era Painter, 1577-1621 was an Italian portrait painter of the late Florentine Mannerist school. Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing. Allori also appears to have worked under Cigoli. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several specimens are to be seen at Florence and elsewhere. The finest of his works is his Judith with the Head of Holofernes. It exists in two copies in the Pitti Palace in Florence and in the Queen's Gallery in London.

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